The matte paintings for the pool scene take place inside of James' head, where he is mainly contemplating and for this reason he is mostly still until he decides to dive. To aide the still, isolated feelings of the shots the mattes with sky have been separated into layers which will allow us to have subtle animation for the clouds. Shot 430 is for the dive sequence where the camera follows him until he hits the water. The splash is a 2D animated splash that has been created by Nur and plan for the water is to render out a sequence using the ocean shader in maya, mainly for the highlights and then composite it with the water in the matte paintings.
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